“In ancient Greek theater, all the spectators knew the story and what mattered was how the producer chose to re-direct the tale” dixit Charles-Eric Petit, Artistic Director of the project Our Dallas, adding that “one rapidly became aware of the fact that Dallas was 90% Shakespeare, 10% the Bible.” Thus, here we are: a tale known to all, without ever having really seen it (Dallas), where the risks, unalterable, go from the power of money, through love, without forgetting either the religious dimension or the ancient Greek choir, here replaced by the radio. Transmission and heritage? Ask the Ewing and Barnes families... Because what is better than a recognized territory for true experimentation? And to produce work of the theater, that place of the living.

BOURGEOIS JEAN, CLAUSSE GUILLAUME, CLEYET ROXANE, LEBAS PHILIPPE, LORIC YANN, PALAZZOTTO TONIN,  PETIT CHARLES-ERIC, VOISIN ELISA